Amsterdam Type foundry

‘Digital, not industrial’
symposium in Amsterdam

[Posted: Sunday 28 January 2018]

On Saturday 10 February 2018 a symposium titled ‘Digital, not industrial’ will take place in a theatre located in the former type-foundry building of Tetterode in Amsterdam. The central theme is the type business’ change in the past roughly 50 years from a heavy industry in the times of foundry and hot-metal type into a profession for which light-weighted hardware in combination with relatively inexpensive software is sufficient. The question is whether the term ‘industry’ is appropriate for a profession that is mainly carried out in front of computers by individuals, of whom many are autodidact.
        The heart of the symposium is formed by an on-stage discussion between young type designers (representing the new generation) on topics such as, for example, the creative part of type design, quality control, and the economic aspects of the profession today. The keynote speaker is Dr. Frank E. Blokland, who founded the Dutch Type Library, which was the first digital type foundry in the Netherlands back in 1990. One of the typefaces that was released in the 1990s is dtl  Nobel, originally designed by Sjoerd de Roos for the Amsterdam Type foundry, which was a division of Tetterode.

In his keynote Blokland will place today’s type-design practice in an historical context. After all, one could state that the way digital type designers work is closely related to the practice of the archetypal punch cutters, who controlled the whole process from punch cutting to type casting on their own, and that the large-scale type production is typically something from the industrial era that started in the 19th century. However, the romantic idea of the historical punch cutter who put the emphasis on the eye and on manual labor is something that should be adjusted, as Blokland describes in his dissertation. Especially renowned punch cutters like, for example, Claude Garamont, Robert Granjon, and Hendrik van den Keere sophisticatedly standardized and systematized the font-production process to a large extent. This was necessary for the distribution of their type while retaining control over the justification of matrices and casting of letters by third parties elsewhere in Europe.
        Comparably, present-day font production may look relatively simple at first sight because software seems to ease the type-design and font-generation process by hiding complex matter for the less technically-savvy type designers. However, to control all the technical aspects of the font-production on a professional level, more insight in the matter and also more sophisticated software is required. Also designing single fonts is something else than producing multiple type families and maintaining the related workflow, which comprises the (batch) generation of multiple font formats.

More information on the ‘Digital, not industrial’ symposium can be found here. A personal note by Blokland on formal type-design education can be found here.

Wacom lens cursor and DTL VandenKeere

dtl: Old-School Quality
& Latest Font Technology

[Posted: Friday 24 November 2017]

Preparations for the production of dtl fonts started in the second half of the 1980s. It will not come as a surprise that the ikarus format, in combination with manual digitizing, played an important role in the early days of the Dutch Type library. Actually, the ikarus format plays an important role at dtl still. Although times are undoubtedly changing and new technologies make other type-design and font-production methods possible, we believe that there is no better way to fine-tune the tension of curves and to control the (relation between the) quality of contours and counters, than drawing with pencil, pen, and brush. Doing things manually also makes clear that a speedy process is not always the best way to preserve the highest quality.
        Drawing by hand can be the more appropriate way to define letter shapes than sculpting in Bézier format on screen, especially when making exquisite revivals. Our experience is that it is pretty easy (and tempting) to copy letter parts in Bézier format, but less easy to draw delicate differences. In, for example, dtl VandenKeere and dtl Fleischmann there are no identical serifs at all.
        Tiny details are easy to draw by hand and to manually digitize, but much more difficult to preserve in cubic Bézier splines. Hence, at dtl we normally draw revivals on paper, or at least we start their production this way. However, also for new type designs the use of a tablet plus lens cursor is sometimes the most appropriate method. For example, Elmo van Slingerland’s beautiful dtl Dorian is the result of manually digitizing working drawings of letter forms that initially were drawn by a very skilled calligrapher on paper.
Guyot g with IKARUS markings
The Dutch Type library does not only work with the ikarus format, it also support it in the dtl FontMaster suite –as the only software company in the world. The ikarus format was invented by Dr. Peter Karow in the 1970s and developed during the following decades at urw in Hamburg, Germany. Since 1991 dtl and urw work together and this resulted in a range of new (batch) font tools for macOS and Windows. Among these is dtl IkarusMaster, which supports a range of Wacom tablets with lens cursors.
        Of course, the dtl/urw font tools support the very latest font technology, such as the OpenType Font Variations format, also. However, working with the ikarus tools preserves the old-school quality for which the exclusive typefaces of the Dutch Type Library are so much renowned for almost three decades.

Matthew Carter

dtl Flamande: for connoisseurs

[Posted: Friday 8 September 2017]

The development of dtl Flamande started in 1992. That year the legendary American type designer Matthew Carter (photo above) and dtl’s founder Frank E. Blokland were both speakers at the Didot seminar, which was organized by urw in Hamburg. During the event Carter granted the Dutch Type Library the rights on his revival, which was named dtl Flamande then.
        Roughly 25 years later the German type designer Lukas Schneider, who holds a master’s degree from the renowned kabk TypeMedia course and who successfully graduated at the Expert class Type design course in Antwerp, was invited to enhance the character set. The full story can be read in the September 2017 edition of dtl’s NewsLetterNews.
Gros Canon Romaine and Canon d’Espaigne
Van den Keere’s textura types and this revival are as delicate and exquisite as an excellent Premier Grand Cru Classé. dtl Flamande, which matured like a top wine, is definitely a typeface for real connoisseurs. It is part of the ‘dtl Canon’ trilogy, which also contains dtl GrosCanon, based on Hendrik van den Keere’s Gros Canon Romaine from 1573 and his Canon d’Espaigne from 1574. Both revivals were created by Lukas Schneider.
        dtl GrosCanon will be released October 2017 and dtl SpanishCanon will become available in November of this year.

Gerard Unger

tdc Medal for Gerard Unger

[Posted: Tuesday 25 July 2017]

On the evening of Tuesday 18 July 2017 Dr. Gerard Unger received the prestigious Type Directors Club (tdc) Medal at The Cooper Union in New York. As one can read on the tdc website, the ‘Type Directors Club is the leading international organization supporting excellence in typography, both in print and on screen.’
        In the fifty-year history of the tdc Medal, Unger is the thirtieth recipient. The first medal was awarded to Hermann Zapf in 1967 to honor his enormous and diverse contributions to typography. Unger joins a prestigious list of medalists that besides Zapf, includes Matthew Carter, Erik Spiekermann, and Gerrit Noordzij.

As publisher of dtl Argo and dtl Paradox, the Dutch Type Library is very pleased and proud that Unger received the tdc Medal. dtl Argo was published exactly 25 years ago and was immediately a success. For roughly a decade it was for example the corporate identity typeface of the New York Stock Exchange and for more than two decades it is in use now by Emerson Electronics. It is also the typeface used for the signage at Keflavik International Airport in Reykjavik, Iceland. In the Netherlands dtl Argo is for example the corporate typeface of the Royal Bam Group. dtl Paradox was added to the Dutch Type Library’s collection in 2000 and is mostly used for exclusive and delicate book designs.

Especially for the tdc award ceremony a very nice video was created by Ryan Pescatore Frisk for Strange Attractors Design in Rotterdam. The image above is taken (with permission, of course) from this video. We congratulate Gerard Unger with his well-deserved medal!

Hanna Hakala

dtl Valiance released!

[Posted: Thursday 22 June 2017]

The Dutch Type Library is extremely proud to present dtl Valiance, an all-round, all-purpose serifed typeface by the highly talented, award-winning Finish type designer Hanna Hakala.
        The production of dtl Valiance started in 2007 when Hanna graduated from the famous TypeMedia master’s course at the Royal Academy of Art (kabk) in The Hague. After ten years of polishing, improving, testing, revising, and enhancing, dtl Valiance is –at last– available in all current font formats now.
DTL Valiance Regular Italic
dtl Valiance is suitable for every possible typographic application: from magazine to web design and from book typography to corporate identities. This unique typeface can be used in each and every practice, i.e., from design to office environments. Its classic, timeless, sturdy yet elegant design makes dtl Valiance highly suited for use on high-resolution equipment, such as image setters, but also on relatively low-resolution devices, such as computer screens and laser printers.
        The character sets covered by dtl Valiance include all Western-, Central, and Eastern-European languages, besides Cyrillic (including Bulgarian and Serbian variants).
        Design and branding agencies interested in dtl Valiance may contact the Dutch Type Library for a free copy of Notes on the Design of dtl Valiance Cyrillic, which includes a concise type specimen, via e-mail. This e-mail address can also be used for further inquiries on dtl Valiance, of course.

        More information.

TYPO Labs 2017 conference

dtl at typo Labs 2017

[Updated: Saturday 22 April 2017]

Together with our longtime (since 1991!) German partner urw++, the Dutch Type Library organized a special hands-on session focused on the production and modification of OpenType Font Variations, also known as ‘variable fonts’, at the TYPO Labs 2017 conference on the morning of Friday 7 April.
        Dr. Jürgen Willrodt demonstrated how to prepare and modify already existing fonts for the production of variable fonts. He showed how to make all glyphs isomorphic for interpolation and how to create variable fonts using FoundryMaster (the successor of dtl FontMaster), and finally proofing and modifying OpenType Font Variations with OTMaster.

In the main conference program Dr. Frank E. Blokland addressed the question of how patterns distilled from Renaissance archetypal models can be used for the analysis and parameterization of digital type-design processes. Outcomes of Blokland’s PhD research at Leiden University have been translated into software for auto spacing, which is based on the intrinsic underlying patterning in roman and italic type.
        Type designer Lukas Schneider demonstrated the ls Cadencer and the related ls Cadenculator, which are (batch) auto-spacing tools written by him in Python. This software can be used to replace optical spacing completely or it can be applied supplementally to spacing by eye.
        The talk was recorded on video.

In anticipation of the undoubtedly exciting upcoming developments in the context of variable fonts, the Dutch Type Library has recently registered the‘’ domain. We will keep you posted!


New Luther Bibel 2017
completely typeset in dtl fonts

[Posted: Friday 16 November 2016]

Luther Bibel 2017
End of October 2016 the new Luther Bibel 2017 for the Evangelische Kirche in Germany, which is typeset in dtl Documenta and dtl Caspari, was published. The design is by the renowned typographers Cornelia Feyll und Friedrich Forssman. The typographic concept is described in this pdf (in German). The first print run of the Luther Bibel 2017 was 260,000 copies.

Especially for the Luther Bibel 2017 dtl Documenta was enhanced with Medium and Bold Italics (including small caps, of course). These weights/styles will become generally available end of this year.

The fact that the Luther Bible 2017 has been typeset in dtl Documenta makes it a nice example of ecumenism. After all, in 2014 3,6 million copies (1,300 pages each –all typeset in dtl Documenta) of Gotteslob, the new prayer and song book of the Catholic church in Germany and Austria, was released.


On the Origin of Patterning
in Movable Latin Type

[Posted: Friday 21 October 2016]

On the origin of patterning in movable Latin type
Since a couple of days a print-on-demand edition of Dr. Frank E. Blokland’s On the origin of patterning in movable Latin type: Renaissance standardisation, systematisation, and unitisation of textura and roman type is available from Obviously there is a lot of interest for the subject and hence demand for the book, because already a respectable number of copies have been sold.

The a4-sized book contains 455 pages and is printed in black and white.


Public defence of PhD thesis
on Renaissance type patterning

[Updated: Thursday 13 October 2016]

Frank E. Blokland at Leiden University
On 11 October 2016 at 11:15 a.m. dtl’s founder Frank E. Blokland successfully defended his PhD dissertation at Leiden University. Blokland’s research is conducted to test the hypothesis that Gutenberg and consorts developed a standardised and even unitised system for the production of textura type, and that this system was extrapolated for the production of roman type in Renaissance Italy.
        For roman type, Humanistic handwriting was moulded into a prefixed standardised system already developed for the production of gothic type. This was possible because of the intrinsic morphologic relationship between the structures of the written textura quadrata and the Humanistic minuscule.
Frank E. Blokland at the Museum Plantin-Moretus
Outcomes of Blokland’s research, for which he measured intensively the French-Renaissance type foundry material from the collection of the Museum Plantin-Moretus in Antwerp, provide proof for his theory that technical matters from the Renaissance font production directly influenced the proportions and details of roman (and later italic) type.
        On 2 October 2016 Blokland gave a related talk at the Museum Plantin-Moretus on occasion of the re-opening of the museum. As guest curator he organized the newly arranged display of historical type-foundry material in relation to digital font technology at the museum.
Historical type-foundry material at the Museum Plantin-Moretus
During his talk Blokland addressed the question: how can the patterns and structures distilled from Renaissance archetypal letter models be used for analysis, for educational purposes, and for the parameterisation of present-day type design processes?
        Some outcomes of Blokland’s research have been translated into software, such as dtl LetterModeller (LeMo) and the ls Cadencer, tools which he demonstrated during his talk.

DTL OTMaster 5.0

typo Labs’ sessions reviewed

[Posted: Monday 16 May 2016]

The typo Labs 2016 conference in Berlin was a very nice and well-organized event. In the meantime two reviews of the dtl/urw++ session have been posted on the related web site: an article by Atilla Korap on the dtl/urw++ tools and one by Frank E. Blokland on the presentation of the ls Cadencer/ Cadenculator tools.

A few additional remarks upon the first review: actually FoundryMaster does support the export of .ufo currently and shortly it also will be possible to import this format. The internally used .be (or .ib, which has 4-byte support) format is as proprietary as the .ufo format and has been made public a couple of decades ago. And, of course, dtl OTMaster does have a sophisticated glyph editor built-in!


dtl at typo Labs 2016

[Posted: Sunday 1 May 2016]

On 10 and 11 May 2016 the first typo Labs font-technology conference, which is an offshoot of typo Berlin, will take place at Forum Factory in Berlin. The conference is advertised as an event for those who actively want to participate and to discuss technical matters with academics, technologists, and industry leaders from across the globe. Of course, the focus will be also on type-design and font-production related issues, as many of the technically oriented speakers are also highly experienced in these areas.
TYPO Labs Berlin
Together with its German partner urw++ the Dutch Type Library has organized a special meeting during the conference on Wednesday 11 May. During this hands-on session details on how to apply dtl OTMaster, FoundryMaster, and LetterModeller will be demonstrated and discussed simultaneously in groups.
        The designers and programmers of dtl and urw++ will be joined by Lukas Schneider, who developed ls Cadencer and ls Cadenculator, a pair of nifty tools for auto-spacing. The underlying principle and algorithm for these two tools find their origin in Frank E. Blokland’s PhD research on the (effects of) systematization, standardization, and unitization in the Renaissance type-production process.

More information about the dtl/urw++ session can be found here.


dtl OTMaster 6 Released

[Posted: Thursday 3 March 2016]

Together with our German partner urw++ we are proud to present the new and even more sophisticated sixth edition of dtl OTMaster, the high-end post-production font tool for reviewing, editing, and altering font tables and glyphs of cff- and ttf-based OpenType fonts and TrueType collections fonts.
        otm 6 fully supports the Retina displays now. Besides this it opens afdko-made ttc, imports and exports woff and woff2 fonts, and supports metrics editing in the advanced text viewer that integrates the cutting-edge HarfBuzz OpenType Layout engine. Furthermore, the glyph editor has been enhanced with a range of new tools. Also the features selector has been improved, as is shown in the image below.
DTL OTMaster 6
dtl OTMaster 6 is available for Mac os X 7 and newer, Windows 7 and newer, and Linux. The introduction price of otm 6 is 25% off, i.e., only € 191.25, until 1 June 2016. It can be purchased directly from dtl’s FontTools Shop. More information can be found here


The Coolest Type

[Posted: Monday 1 february 2016]

On 27 January 2016 an article on the coolest unknown type was published online by the German weekly publication Die Welt, and the brief listing includes dtl Fleischmann. The development of this marvelous type family started almost 24 years ago. It was after Frank E. Blokland’s talk at the Didot seminar, which was organized by urw (especially Dr. Karow) in Hamburg in 1992, that the development of dtl Fleischmann was discussed with Erhard Kaiser, a very talented type designer from Leipzig. At that time Kaiser was already highly experienced after a shining career at Typoart, the large and only typefoundry in the German Democratic Republic after 1948.
JohannMichael Fleischmann
The 18th-century German punchcutter Johann Michael Fleischmann worked for a long time in the Netherlands and in line with this, a German type designer was invited to make the digital Fleischmann revival. Roughly a month after the meeting in Hamburg, Kaiser sent Blokland the first initial drawings and that was the start of a fruitful and successful cooperation.
        Subsequently Kaiser made drawings of all characters on a x-height of a few centimeters. These drawings were enlarged to a capital height of ten centimeters and next manually the contours were polished in pencil drawings. The pencil outlines were marked and hand digitized using a lens cursor and the ikarus system.
DTL Fleischmann Display
Because the production process was largely analogously, the elegance and liveliness of the original foundry type version were preserved. This approach also prevented too much standardization, something that is easily achieved by copying and pasting of digital font data. Hence, dtl Fleischmann shows such an enormous wealth of details.


Rosart Anvers

[Posted: Monday 30 November 2015]

The Museum Plantin-Moretus in Antwerp has a truly fabulous collection of punches, matrices, foundry type, and historic prints. Not coincidently, this is the location where the Expert class Type design (EcTd) course of the Plantin Institute of Typography, led by dtl’s founder Frank E. Blokland, takes place. A very important part of the EcTd course is the exchange of knowledge and skills between the students. The yearly revival project is targeted at this; the students cooperate on a redrawing and an adaptation of historic foundry type, using material from the Museum Plantin-Moretus’ rich collection. The students encounter that the original models are not as clear as they look at first sight; there is definitely room for different interpretations and the students have to reach a consensus.
Rosart Anvers
The EcTd laureates of the 2014–2015 course made booklet on their Rosart revival project, titled Rosart Anvers. They come from Poland, Ireland, Germany, Italy, France, Netherlands, and Belgium. This booklet is not just a presentation of the outcomes of the Rosart project; it is a concise manual and guide for everyone who wants to investigate historic type-foundry material and wants to produce a revival.
        The Expert class Type design course is not restricted to the making of revivals, and proof of this is also presented in this booklet.
Rosart detail through magnifying glass
The Dutch Type Library is the proud publisher of this highly interesting booklet. The texts are in English and the illustrated booklet contains 44 pages (143 × 210 mm) and 500 copies were printed on 120 and 200 grams Munken Lynx paper by Drukkerij Atlanta in Leuven, Belgium.
        Rosart Anvers can be ordered via dtl’s
online bookshop.

Site visits per country

dtl’s highest ranking ever

[Posted: Thursday 1 October 2015]

Currently the Dutch Type Library’s website is ranked by Alexa among the ±85.000 most visited ones in the world, which is dtl’s highest position ever. Most visitors come from Western Europe and the usa.
’s website was launched in 1998, eight years after the Dutch Type Library formally entered the font market as the first Dutch producer and publisher of digital typefaces. At that time dtl had become a well-known company in large parts of the world already. It was highly successful in the usa, because quite some renowned branding agencies had recognized the exquisite quality of the dtl typefaces.
        This culminated in corporate-identity typefaces for, among others, companies like the New York Stock Exchange (dtl Argo), Diamond Trading Company (dtl Documenta), Emerson Electronics (dtl Argo), and the European Union (dtl Albertina).
Percents of site visits
Especially our markets in the Far East and South America rapidly grew after the launch of this website. November 2014 the Dutch Type Library had customers in 60 countries, as was mentioned in this column then.
        At the moment the Dutch Type Library is working on two new additional websites, which will be launched next year at (especially targeted at high-quality fonts for printing) and at (not surprisingly for dtl’s webfonts). Stay tuned!

DTL headquarter

Premier Grand Cru Classé

[Posted: Friday 15 May 2015]

Shortly after dtl was officially founded as the first digital type foundry in the Netherlands in 1990, the office and studio moved to the historic city center of ’s-Hertogenbosch (also known as Bois-le-Duc). dtl’s premises dated from the middle ages, and it was the perfect place for a company that is strongly anchored in the typographic tradition.
        Here the library was extended with typefaces by highly renowned designers like Jan van Krimpen, Gerard Unger, Chris Brand, Michael Harvey, and Erhard Kaiser, combined with work from younger talents like Elmo van Slingerland and Gerard Daniëls.
        Also the development of the dtl/urw++ software for the professional font production started at the studio in the city center.
        Nowadays dtl’s headquarter (the proprietary six-floor tower on the photo above) and studio (a four-floor building opposite of the tower at the other side of the surrounding golf course) are situated in the country side nearby the historic city of ’s‑Hertogenbosch.

In the rapidly changing landscape of the font business, the Dutch Type Library is a solid and constant factor. The company is praised for its meticulously produced fonts and the highly sophisticated software. dtl’s philosophy is that type has to mature like a Premier Grand Cru Classé. Modern font tools, such as the dtl FontMaster suite, make it possible to produce digital type in a mere jiffy, but a well-balanced design requires time. A lot of time. As does the refining and polishing of glyph-contours. Hence, dtl’s production process can be compared with the speed of a land turtle.
        With its own font tools and slow-fonts approach, combined with absolute independence –in all meanings of the word–, the Dutch Type Library is a sort of Galapagos Island in the type industry. We very much look forward to –at least– another 25 successful years!

DTL OTMaster 5.0

dtl OTMaster 5 released

[Posted: Friday 9 January 2015]

A new version of dtl OTMaster (otm), the highly sophisticated tool for reviewing, editing, and altering tables and glyphs of fonts with a sfnt-file structure, has been released. otm is a must-have for professional font developers.
        To quote Adam Twardoch, product and marketing manager at Fontlab Ltd.: ‘OTMaster works with surgical precision: it will only modify the portions of the font that the developer wishes, leaving all other structures unchanged. This makes OTMaster a great companion to any font editor and an indispensable element even in the most complex OpenType font production workflow.

Version 5.0 contains a range of new nifty functions:
New Text Viewer, which includes Harfbuzz for the interpretation of OpenType Layout features.
Display of all current color tables, such as cbdt, svg, sbix and colr, and glyphs.
Updated Font Viewer, containing now a search field for glyphs, unicodes...
Updated Side by Side Viewer, which contains among other new options, a 'Winding fill' as opposed to the standard fill option.
Updated Glyph Editor, with improved guideline and grid functionality, improved measurement options, new clipboard with support for multiple entries , et cetera.

dtl OTMaster 5 can be ordered here.

DTL Globe

dtl customers in 60 countries!

[Posted: Friday 28 November 2014]

January 2015 the Dutch Type Library will celebrate its 25th anniversary. The past 25 years have been highly successful and dtl delivered the corporate typefaces for many companies, publishers, banks and cities, among which the European Union, the New York Stock Exchange, Germany’s Phoenix Television Broadcasting Company and zdfkultur, the Diamond Trading Company (formely De Beers), Emerson, Taylor Nelson Sofres, Amnesty International usa, the Rijksmuseum Amsterdam, Frans Hals Museum, Teylers Museum, Museum Plantin-Moretus, the city of Amsterdam, Antwerp, Köln, Keflavik International Airport, Finland’s most popular newspaper Helsingin Sonamat, Georg Thieme Verlag, Oxford University Press, et cetera, et cetera.

Since the second half of the 1990s, dtl started together with the programmers of urw++ Design & Development GmbH the development of the dtl FontMaster modules for Mac os, Windows and Linux. The current flagship is dtl OTMaster (otm), a highly sophisticated application for reviewing, editing and altering tables and glyphs of fonts with a sfnt file structure. otm is a huge international success. A new, further enhanced edition will be released in the second half of December 2014.

Up to now, dtl has customers in 60 countries: Argentina, Australia, Austria, Bahrain, Belgium, Bermuda, Brazil, Britain, Canada, Chile, China, Colombia, Croatia, Czech Republic, Denmark, Estonia, Faro Islands, Finland, France, Germany, Greece, Guadeloupe, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea, Kuwait, Lebanon, Liechtenstein, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russia, Saudi Arabia, Scotland, Singapore, South Africa, Spain, Sri Lanka, Sweden, Switzerland, Taiwan, Thailand, Turkey, United Arab Emirates, usa, and Venezuela.

Currently the Dutch Type Library’s website is ranked by Alexa among the 90.000 most visited ones of the world, which is dtl’s highest position ever.

Exquisite Type Specimen

Cutting Edge of Type Techology

[Posted: Wednesday 29 October 2014]

The Dutch Type Library is cooperating with the Hamburg, Germany based company urw++ Design und Development GmbH since 1991. Highly sophisticated font tools like the ikarus system and its siblings dtl FontMaster and dtl OTMaster are developed at urw++.
        Summer 2014 the urw++Film was made and it gives insight in the (philosophy behind the) production of highly professional (global) fonts and font-development tools by our longtime friends and colleagues in Hamburg.
        The very experienced experts talking in the film like Dr. Jürgen Willrodt, Head of Technology at urw++, belong to the small group of pioneers that stood at the cradle of digital type with the ikarus format in the second half of the 1970s. Together they have more than 100 years of experience in type design and type technology, as is mentioned by Peter Rosenfeld, who is Head of Sales and Marketing.

Exquisite Type Specimen

25 Years of Exquisite Quality

[Posted: Monday 1 September 2014]

The Dutch Type Library is a pioneer of digital type, entering the computer font market in the industry’s first decade. Spring 2015 it is 25 years ago that dtl was officially founded –after many years of preparation. This occasion will be celebrated in several ways; for instance a special, highly delicate type specimen will be published (a preliminary small test edition was sold [out] at last year’s ATypI conference in Amsterdam). And for this website we are preparing a retrospective.
Rijksmuseum: DTL Documenta
The past 25 years were highly successful. After a relatively slow start –due to the fact that besides the development from scratch of a completely new digital type library, also a hitherto not existing new niche market had to be generated and activated– the Dutch Type Library was spotted by the world's leading branding agencies, especially in the usa. This resulted in the selection of dtl typefaces for major corporate identies, like those of the New York Stock Exchange, The Diamond Trading Company (formely De Beers), Emerson, Taylor Nelson Sofres, Amnesty International usa, etcetera, etcetera. Cities like Amsterdam, Köln and Antwerp selected dtl typefaces, as also many museums like –among many others–the Rijksmuseum Amsterdam, Teylers Museum in Haarlem and the Museum Plantin-Moretus in Antwerp.
        Numerous books were and are typeset in dtl typefaces and sometimes printed in very large quantities, like the recently published 3.6 million copies (1,300 pages each) of Gotteslob, the new prayer and song book of the Catholic church in Germany and Austria for which dtl Documenta was used.
Type[&]Design 2009
The original plan was to publish one typeface per year, but this goal was not reached so far. As dtl's founder Frank E. Blokland wrote in Hanna Hakala’s booklet Notes on the Design of dtl Valiance Cyrillic in 2013: ‘dtl’s philosophy is that type has to mature like a Premier Grand Cru Classé. Modern font tools, like the dtl FontMaster suite, make it possible to produce digital type in a mere jiffy, but a well-balanced design requires time. A lot of time. As does the refining and polishing of glyph contours. On dtl’s Twitter account I once jokingly compared the pace of our production process with the speed of a land turtle. With its own font tools and slow-fonts approach, the Dutch Type Library is a sort of Galapagos island in the type industry.
        The good news is that in 2015 dtl Fell and dtl Romulus will be published at last, 18 years after the production of these two exquisite typefaces started.

Together with urw++ highly professional font tools like dtl FontMaster and the sophisticated OpenType/TrueType editor dtl OTMaster are developed since the late 1990s. dtl and urw++ organized a number of related conferences at classy locations, such as Castle Maurick near ’s‑Hertogenbosch and the five-star Steigenberger hotels in Scheveningen (The Hague) and Hamburg.

In short: there is a lot to clebrate coming year!

OTM Summer Promo image

otm Summer Promotion

[Posted: Monday 30 June 2014]

From the 1st of July till 21 September the latest edition (3.7) of dtl OTMaster will be offered with a 50% discount on the standard licensing price of €255.

Version 3.7 contains a lot of new functionality. From the import/export of Ideographic Variation Sequences (ivs) to the editing of feature parameters, and from an autohinter for edited or newly added glyphs to support for colr+cpal tables.

Some use otm for font-spelunking, other use it for Open(Type)-heart surgery. Some use it for compiling OpenType Layout features (directly in the font, or exported for proprietary workflows) by applying the elegant automatic subsetting, while others use it for instance for mark (to mark) positioning.
        otm is the ultimate Swiss (or actually German/Dutch) knife for cff- and ttf-based OpenType, TrueType, and ttc (TrueType Collection) fonts.

A complete listing of the functionality in otm 3.7 can be found here. dtl OTMaster can be ordered directly at dtl’s FontTools shop and the printed manual can be ordered online here.

DTL Caspari & DTL Porta News image

dtl Caspari News & Porta News

[Posted: Friday 9 May 2014]

After eight years of development the Dutch Type Library has finally and proudly released the newspaper-optimized typefaces dtl Caspari News and dtl Porta News.

These two great new font families, which both comprise special text and display versions, are available now for the end-user market via dtl’s online shops. A specially printed type specimen on tabloid format, which was originally developed for the goody bag of the ATypI Amsterdam 2013 conference, is available from the Dutch Type Library on request.
        More information

Hanna Hakala

Silver for dtl Valiance

[Posted: Friday 25 April 2014]

Anticipating its release this Spring, Hanna Hakala’s dtl Valiance got awarded with silver in the Finnish design competition Vuoden Huiput. This is the most important event for graphic design and advertising in Finland. The aim of this annual competition is to emphasise the importance of the work by visual-communication professionals in advertising and design. There are Golden and Silver Awards to win.

The award comes roughly half a year after dtl Valiance was for the first time officially presented in the goody-bag booklet Notes on the Design of dtl Valiance Cyrillic at the ATypI Amsterdam conference in October last year.
        In Notes on the Design of dtl Valiance Cyrillic Hanna Hakala, who studied graphic design at the University of Art and Design in Helsinki and type design at kabk’s master course Type & Media, presents a collection of notes made during the design of dtl Valiance. It's directly available from dtl’s online bookshop.

It was definitely a busy Spring so far for Hanna; she was interviewed for the Finnish magazine Grafia (Grafia ry is the organization of graphic designers in Finland) about dtl Valiance and the design of another Cyrillic typeface. She was also interviewed for the Finnish magazine Image about the details of type design.


Parametrized Type Design

[Posted: Friday 18 April 2014]

During the Libre Graphics Meeting 2014 (2–5 April) at the new Paulinum building (see photo below) of the University of Leipzig, dtl’s founder Frank E. Blokland talked about the practicle application of the outcomes of his PhD research at Leiden University (download slides). The main hypothesis for Blokland’s research is that Italian renaissance roman type was made on a standardized and unitized system that originally was developed for the production of the morphologically related Textura type in Germany.
        This system not only made the design part, i.e., the cutting of punches, easier, but also the justification of the matrices, the casting of type, and the justification of text. One could state that Jenson and Italian consorts used ‘code’ developed by Gutenberg and German consorts. Maybe this was an early application of the Open-Source principle, who knows. ;-)
        The second hypothesis is that present-day type design can be relatedly standardized without loss of creativity and individuality.
Paulinum, Leipzig
In Blokland’s talk at lgm the question how the patterns and structures distilled from the renaissance archetypes can be used for (the parametrization of) present-day type design was addressed. So far the hypothesized models and measurement outcomes were used for the development of two free software tools: LetterModeller (LeMo) and Kernagic. LeMo uses standardized, but adjustable patterns for the description of proportions and widths of roman type. It provides ways to interactively preview and apply global and local changes to horizontal metrics. Currently Kernagic provides ways to interactively preview global and local changes to the horizontal metrics.
matrix of Garamont's Gros Canon Romain
With direct support from the Open-Source community Kernagic will be further developed in the coming months. Not only will the spacing and subsequently the kerning functionality enhanced, but also the analytical part of the program, i.e., analysis of how do the horizontal and vertical proportions of the characters relate to the organically distilled ‘cadence-units’, and subsequently suggestions on how these proportions can be adjusted to this underlying pattern to improve the rhythmical structure.
        The idea is that the developed technology will find its way into Open-Source font tools and also the Dutch Type Library is planning to incorporate the outcomes in some of dtl’s tools for the professional font production.

A related discussion on Blokland’s research can be found at the TypeDrawers forum.


3.6 million copies: Gotteslob

[Posted: Thursday 23 January 2014]

Its production took almost ten years, more than hundred people worked on the concept and realization –besides the people at the printing office. The publication has to last for at least forty years. Eight tons of red ink and roughly 3,000 tons of light-weight paper (40 grams) were needed to produce the 3.6 million copies (1,300 pages each) of Gotteslob, the new prayer and song book of the Catholic church in Germany and Austria.
Gotteslob spread: DTL Documenta
Responsible for the design of Gotteslob was Matthias Bumiller from the design agency Finken & Bumiller in Stuttgart, Germany. In 2006 he started with the design of this magnum opus, which resulted in a positively received test version in the next year. Legibility had the highest priority and factors like low light in churches in combination with the inevitable relatively small point sizes were taken into account. After testing several typefaces, Frank E. Blokland’s dtl Documenta was selected. This clean, easy to read and attractive typeface distinguishes the prayer and hymn book.
Gotteslob binder: DTL Documenta
In the past twenty-four years numerous books and brochures have been typeset in dtl typefaces. Sometimes in large quantities, like the daily publications of the European Union, which were typeset in eu Albertina for around ten years. Also a lot of printed material was produced by for instance the New York Stock Exchange (dtl Argo) or the Amsterdam Rijksmuseum (dtl Documenta). But 3.6 million copies of each 1,300 pages is an absolute new record!

More info (in German) and images can be found here.

Kernagic: cadence units

Open-Source Spacing Tool

[Posted: Monday 6 January 2014]

First steps have been made in the development of an Open-Source spacing and analyzing tool for ufo font data based on Frank E. Blokland’s PhD research at Leiden University on the Harmonics, Patterns, and Dynamics in Formal Typographic Representations of the Latin Script. The hypothesis is that the structure of roman type is an extrapolation of that of the morphologically related Textura type, and that Humanistic handwriting was molded into this structure.

The curved parts in roman type can be considered as overshoots of the straight strokes in Textura type. Defining the side bearings for roman type can therefore be done in the same way as for Textura type. It is quite possible that Nicolas Jenson did this for his famous archetype. Blokland distilled unitizations from Textura and roman type based on the stem interval, and this formed the basis for the development of Kernagic.

Kernagic provides ways to interactively preview global and local changes to the horizontal metrics. The program is under development and hence contains some bugs still. The cadence-table option works best at the moment.

DTL OTMaster manual cover

Printed otm 3.7 Manual

[Posted: Monday 2 December 2013]

A (digitally) printed manual for dtl OTMaster version 3.7 is available from dtl’s online bookshop now.

Because otm enables one to dig deep into the binary font tables –which almost can be compared with open-heart surgery– one needs some thorough knowledge of the OpenType and TrueType specifications and recommendations before one starts editing.
        Therefore this is a must-read manual by expert Karsten Lücke that provides a wealth of additional information on the OpenType cff and ttf font formats.

The paperback contains 106 pages and the text is in English.

DTL OTMaster manual spread

DTL OTMaster 3.7

dtl OTMaster 3.7 released

[Posted: Saturday 9 November 2013]

Immediately after its initial release dtl OTMaster (otm) was hailed as very practical stand-alone application for reviewing and editing tables of fonts with a sfnt file structure. otm’s big advantage is that it allows editing of tables in a graphical user interface. As Dr. Ken Lunde, Sr. Computer Scientist at Adobe Systems, stated in 2009: ‘As someone who works with OpenType fonts on an every-day basis, and with the tools that are used to build and check them, I would like to state here that dtl OTMaster is a fabulous tool. The best way for me to characterize it is that it gives me the power of some existing command-line tools, wrapped up in nice gui. It handles cjk fonts well, including those with a large number of glyphs. I especially appreciate that there is a Mac os X version.

The new otm edition has version number 3.7, while the previous one was numbered ‘2.4’. In the past two and a half years the functionality of otm was enhanced and extended, hence the ascending numbering. The new edition is for that reason a major upgrade, containing a lot of new functionality. From the import/export of Ideographic Variation Sequences (ivs) to the editing of Feature Parameters, and from an autohinter for edited or newly added glyphs to support for colr+cpal tables.

Some use otm for font-spelunking, other use it for Open(Type)-heart surgery. Some use it for compiling OpenType Layout features, applying the elegant automatic subsetting, others use it for mark positioning. otm is the Swiss knife for cff- and ttf-based OpenType, TrueType, and ttc (TrueType Collection) fonts.

A listing of the new functionality in otm 3.7 can be found here. dtl OTMaster can be ordered directly here.

Michael Harvey

Michael Harvey, 1931–2013

[Posted: Friday 25 October 2013]

On 18 October 2013 Michael Harvey sadly passed away. Harvey was a master in every letters-related aspect; he was an eminent calligrapher, lettering artist, stone and wood carver, and type designer. He designed numerous book jackets, lectured at several institutes, among which the University of Reading, and wrote a range of books on calligraphy, letter carving, lettering, and (digital) type design.

The cooperation between the Dutch Type Library and Michael Harvey dates back to 1996, when Frank E. Blokland approached him with a request for a new type design for dtl at the ATypI conference in The Hague. A year later at the ATypI conference in Reading the deal was settled and a start was made with the development of dtl Unico, named after the Dutch composer Count Unico Wilhelm van Wassenaer (1692–1766). Also the name of the typeface refers to the Unicode encoding system, which was becoming more and more important in the mid 1990s.

On Twitter resigning ATypI president John D. Berry described Harvey as ‘a wonderful, talented, unpretentious man.’ We fully endorse this, and we also learned to know him as a very kind and modest person.

A short biography of Michael Harvey can be found here.

Dr. Donald E. Knuth

pka 2013 presentation at ATypI

[Posted: Monday 21 October 2013]

On Saturday evening 12 October 2013, the ATypI conference diner took place at the atmospheric Winter Garden restaurant of Grand Hotel Krasnapolsky in Amsterdam. More than 300 attendees enjoyed the excellent buffet, sponsored by Adobe. Highlight of the evening was the presentation of the 3rd Dr. Peter Karow Award for Font Technology & Digital Typography (in short pka) to Dr. Donald E. Knuth. Read more …


Two new dtl publications

[Posted: Monday 21 October 2013]

At the ATypI conference in Amsterdam, which took place at Hotel Krasnapolsky from 9 till 13 October 2013, two new dtl publications were presented. Digital Typography & Artificial Intelligence by Dr. Peter Karow (published in cooperation with Adobe) and Notes on the Design of dtl Valiance Cyrillic by Hanna Hakala. Both booklets are available from dtl’s online bookshop now.
Digital Typography & Artificial Intelligence
In Digital Typography & Artificial Intelligence font-software pioneer Dr. Peter Karow, who founded with Rubow and Weber the company urw Software & Type GmbH in the early 1970s and who is especially renowned for the ikarus program, describes how digital typography transpired in type design and text layout. It has changed font production and text composition in their entirety. Modern text composition was mostly influenced by programs such as WordStar, Word, PageMaker, QuarkXPress, and FrameMaker, which replaced writing, typesetting and printing in both office and at home.
        Dr. Karow was involved in many of the demands for digital typefaces which came into existence from 1972 through 1997. These issues included formats, variations, interpolation, rasterizing, hinting, autotracing, grayscaling, and element separation.
Notes on the Design of dtl Valiance Cyrillic
In Notes on the Design of dtl Valiance Cyrillic Hanna Hakala, who studied graphic design at the University of Art and Design in Helsinki and type design at kabk’s master course Type & Media, presents a collection of notes made during the design of dtl Valiance.
        Starting from the dawn of the Cyrillic script, the booklet goes through the reform of Tsar Peter i of Russia and gives some insight in the alternative and regional letterforms. The concise publication provides type designers also with clear guides for designing Cyrillic characters.

Donald E. Knuth

Dr. Donald E. Knuth Awarded

[Posted: Wednesday 18 September 2013]

The Dutch Type Library, in partnership with Adobe, is pleased to announce that Dr. Donald E. Knuth has been named the recipient of the third Dr. Peter Karow Award for Font Technology & Digital Typography.

The Dr. Peter Karow Award is presented once per five years to a person who makes an exceptional and innovative contribution to the development of digital type and typography related technology. The first Dr. Peter Karow Award was presented to Dr. Peter Karow himself at the third dtl FontMaster Conference at Castle Maurick in 2003. In 2009 (a year later than planned, due to circumstances) the award was presented to Thomas Milo for the development of the ace layout engine (the heart of the Tasmeem plugin for InDesign me) for Arabic text setting.

This year's jury (Dr. Peter Karow, Thomas Milo [DecoType], David Lemon [Adobe], Dr. Jürgen Willrodt [urw++], Peter Rosenfeld [urw++], and Frank E. Blokland [dtl]) unanimously selected Dr. Knuth for the 2013 award.

The award will be presented during the Special Event Diner of the coming ATypI conference in Amsterdam on Saturday 12 October 2013 in the Winter Garden at the Hotel Krasnapolsky.

Dr. Knuth will make the long journey from Palo Alto to Amsterdam to accept the award. While at the conference, Dr. Knuth hopes to catch a few of the talks while he catches up with old friends—and makes new ones!

On Adobe’s Tyblography extensive information on the third Dr. Peter Karow Award has been posted. More information on the previous Dr. Peter Karow Award winner Thomas Milo can be found here and here in the fm news archives.

Royal Palace of Amsterdam

ATypI Amsterdam Program

[Posted: Monday 22 July 2013]

The program for the ATypI conference in Amsterdam on 9-13 October 2013 has been published. This years theme is Point Counter Point, referring to counterpoint in music. As one can read on the ATypI web site, the conference program reflects the polyphony in music by a ‘[…] diversity of ideas, not only delving into the history of type and typography in the world’s languages but grappling with the problems and opportunities of the constantly evolving technology of communication.

The Dutch Type Library has sponsored the majority of ATypI conferences since the late 1990s and is also a sponsor this year. dtl’s founder Frank E. Blokland will give a talk on his (digitized) calligraphy for HM Queen Beatrix’s Abdication Act 2013 on Saturday 12 October.

At the conference also the third Dr. Peter Karow Award for Font Technology & Digital Typography will be presented. The Dr. Peter Karow Award is granted once per five years to a person who makes an exceptional and innovative contribution to the development of digital type and typography related technology. The first Dr. Peter Karow Award was presented to Dr. Karow himself at the third dtl FontMaster Conference at Castle Maurick in 2003. The second one was awarded to Thomas Milo for the development of the ace layout engine (the heart of the Tasmeem plugin for InDesign me) for Arabic text setting in 2009.

More info on the third Dr. Peter Karow Award will be published here shortly.

DTL's website

dtl’s website: 15th anniversary

[Posted: Wednesday 10 July 2013]

In 1998 dtl’s website was launched, eight years after the Dutch Type Library formally entered the font market as the first Dutch producer and publisher of digital typefaces. At that time dtl had become a well-known company in large parts of the world. It was already very successful in the usa, because quite some renowned branding agencies had recognized the exquisite quality of the dtl fonts. This culminated in corporate-identity typefaces for, among others, companies like the New York Stock Exchange, Diamond Trading Company, and Emerson.

The new website was an immediate success and offering fonts online enhanced the business. Especially our markets in the Far East and South America rapidly enlarged. The dtl site was featured in publications on quality web sites in the 1990s. April 2011 dtl had customers in 50+ countries, as was mentioned in this column then.

In 1998 the computer screens were not as large as they are nowadays, but it was obvious that size and resolution would be enlarged and enhanced in the course of time. Subsequently we decided to let the website relatedly grow, if possible.
        The original page size was a4, so the information on the site was easy to print. When the screens became larger, a second frame, half the size of the main one, was added. Later the frames were stretched in vertical direction and finally a third frame was added to the left. Like an altarpiece for type it became a diptych and now it has become a triptych.

In the 23 years that dtl is active on the font market, the business has clearly changed. Like everything else in our society developments are accelerated and new foundries and fonts emerge like mushrooms. In contrast, the Dutch Type Library is probably the slowest font producing company in the world. Most of the dtl typefaces are for a large part drawn on paper and manually digitized in the ikarus format (using dtl FontMaster) still. And we are never in a hurry; for instance the development of dtl Romulus and dtl Fell started back in 1997 and is going on still.

In line with this, the dtl website is handcrafted on a design that has become almost vintage by now. But we are fond of the site, although we know that not all of our customers are a fan of its structure. At least we apply our own web fonts on our site.
        And, as we stated recently on Twitter, our website is like Dutch v.s.o.p. cheese. A bit difficult to cut, but oh man, what an exquisite flavor: slow food and slow fonts!

H.M. Queen Beatrix's Abdication Act

Abdication Act 2013 and dtl

[Posted: Sunday 12 May 2013]

On 30 April 2013 at 10:07 hrs. H.M. Queen Beatrix signed her Abdication Act. The firm Joh. Enschede Amsterdam was commissioned by the Ministry of the Interior and Kingdom Relations to produce the document, as well as the accompanying storage cassette. The overall design was by Jaap Drupsteen, famous for the last generation of Dutch (guilders) banknotes and the current Dutch passports.

The letters on the act, in Humanistic Minuscule and Italic hands, with all their contextual letter-variants, were written by dtl’s founder Frank E. Blokland and transferred by himself into digital fonts: Abdicatie Regular and Abdicatie Italic using the dtl FontMaster tools. The text was subsequently silkscreened on parchment.

The application of forenamed fonts was a one-time event. The names of the Queen and the new King were typeset in John Hudson’s Constantia and gilded by heraldist Trudie Demoed.

A detailed view of H.M. Queen Beatrix's Abdication Act can be found at the website of the National Archive. The Act will be exhibited together with the three previous ones from 1840, 1948 and 1980 as part of the exhibition Inaugurated! in the Nieuwe Kerk (‘New Church’) in Amsterdam from 11 May until 18 August 2013.

DTL VandenVelde

dtl VandenVelde at ATypI

[Posted: Friday 1 March 2013]

The Association Typographique Internationale (ATypI) 2013 conference is officially planned now for 9–13 October 2013. This will be the first ATypI conference in the Netherlands since 1996, when it was organized by the Royal Academy of Art (aka kabk) in The Hague. Although information on the organizers and venue are not released yet, rumors say that the University of Amsterdam is the driving force.

The Dutch Type Library will be present in Amsterdam, of course. Not only because dtl’s founder Frank E. Blokland is ATypI’s Country Delegate for the Netherlands, but because dtl has been a major supporter and sponsor of these conferences for more than a decade now.

The Dutch Type Library is planning to present a range of new typefaces at the conference, including dtl Fell, dtl Romulus (both under development since 1997) and a brand new script: dtl VandenVelde, inspired on the work of the famous calligrapher Jan Van den Velde (Antwerp, 1568 / Haarlem, 1623).

Van den Velde’s incredible handwritten letters are revived by the Dutch designer Jeroen Koning. The illustrations shown here are not reproductions from Spieghel der schrijfkonste, but completely redrawn digital-contour versions by Koning. A range of illustrations will be released as a separate font.

Wegener newspaper with DTL Caspari News and DTL Porta News

One million daily newspapers

[Posted: Sunday 10 February 2013]

Since Tuesday 5 February 2013 on, seven redesigned Dutch regional tabloid-sized newspapers with a circulation of roughly one million copies in total per day are typeset in freshly-designed versions of dtl Caspari News and dtl Porta News.

A special task force led by graphic designer Erik Gigengack and advised by newspaper-specialist Mark Porter worked over the past three-quarters of a year on the redesign of the Wegener gazettes, which were first published at tabloid-size back in 2006. At that time dtl Caspari News and dtl Porta News were already in use for the restyling, but only in relatively limited sets for text purposes and small headlines. Both type families are enhanced now with larger sets for text and complete new extensive series for display sizes.

The first reactions on the new dtl ‘News’ typefaces from both the readers and the producers of the Wegener newspapers are very positive. The fonts in question will become available for the end-user market in April this year.

auto-hinted glyph

Autohinters compared

[Posted: Friday 11 January 2013]

Vernon Adams published a highly interesting in-depth comparison of the stand-alone Open Source ttfautohint tool and the ikarus-based autohinter in dtl Bezier- and IkarusMaster. ttfautohint is programmed by Werner Lemberg, wellknown for his work on the FreeType project.

For a number of illustrations in the document Vernon Adams used dtl OTMaster , which includes the FreeType rasterizer. The outcome of the comparison shows that the quality of both ttfautohint and dtl’s autohinter are comparible, the former somewhat stronger for lighter weights, the latter somewhat better for bolder weights.

Based on Vernon Adam’s research, both autohinters will be further improved.

DTL Haarlemmer at Teylers Museum

Rafaël & dtl Haarlemmer

[Posted: Thursday 3 January 2013]

Since the end of September last year, travelers in the Netherlands could hardly overlook the posters for the Rafaël exhibition at Teylers Museum, Haarlem, which were posted in significant quantities at railway stations and bus shelters. The large posters show a ‘Madonna with child’ by the Renaissance mæstro (1483–1520) combined with dtl Haarlemmer. The exhibition ends within in a couple of days, so those who are interested have to hurry!

The Teylers Museum in Haarlem is first and oldest museum in the Netherlands. It was founded in the eighteenth century. Since a couple of years dtl Haarlemmer is the corporate identity typeface of the museum.

Some info on Teylers Museum’s use of dtl Haarlemmer can be found at the Fonts In Use website.

DTL Porta News Display

New dtl newspaper fonts

[Posted: Friday 2 November 2012]

Daily roughly 1 million copies of in total seven regional newspapers are published by the Dutch company Koninklijke Wegener (‘Royal Wegener’) . This includes newspapers like Brabants Dagblad, Eindhovens Dagblad, DeStem en de Gelderlander. Since 2006 all seven titles are typeset in typefaces especially developed for newspaper printing: dtl Albertina News, dtl Caspari News and dtl Porta News.

As part of a redesign currently new versions of dtl Caspari News and dtl Porta News are under development at the Dutch Type Library. Both type families get additional display versions for the headlines. The famous art director and experienced specialist on newspaper design Mark Porter advises the Wegener team led by Erik Gigengack.

The new redesigned editions will be released Spring 2013. The dtl newspaper fonts will become available for the enduser market also then.

Global Font Conference

Global Font Conference

[Posted: Friday 12 October 2012]

dtl’s (long term) German partner urw++ Design und Development has put information online concerning the urw++ Global Fonts Konferenz. The subtitle of the conference is Schriftdesign und Fonttechnik für globale Projekte. Experts in the field of global and corporate fonts, i.e. designers, programmers and type marketeers, will speak about the design aspects, technical requirements and the appliance of global fonts. The talks will be in German.

The conference will take place at the East Hotel Hamburg on 22 November 2012. Attending the conference is without any costs and the lunch and beverages are for free. The number of seats is limited though, so a reservation by e-mail or fax is requested. Details can be found on forenamed conference web page.

DTL TypeTester

New dtl TypeTester

[Posted: Monday 1 October 2012]

After years of faithful service, we replaced the good old Flash-based dtl TypeTester with a new one that directly shows TrueType font files. With the old one basically only the ascii set could be typed, and above all it did not work under Apple’s iOS due to the lack of Flash support.

The new dtl TypeTester makes use of the TypeShow software and hence, as mentioned, of actual TrueType font files. Using the appropiate keyboard drivers, also Eastern European, Cyrillic, and Greek character sets can be typed when available. We made a start with uploading these font variants

Open TypeShow window

Academic licenses for DTL software

Academic Licenses

[Posted: Saturday 15 September 2012]

Over time the Dutch Type Library got quite a number of inquiries concerning academic discounts on our font tools, like dtl OTMaster, FontMaster, and CompareMaster. We have updated the dtl FontTools Shop with special education pricing now.

The academic discount amounts 50% on the standard end user price of all dtl font tools. What makes these academic licenses special, is that they are valid for an unlimited period. This basically implies that after students graduate the licenses will be valid still. If there are updates during the study period, academic licensees are entitled to receive these for free. However, please note that the update price for former students is higher than the standard one, so that the difference in pricing with ‘regular’ licenses will be equalized at the end when the tools will be applied professionally.

Because especially our flagship product dtl OTMaster is such a useful addition to any font production tool for professionals and students –if only because of the subsetting of OpenType Layout features– lecturers can obtain an otm (full version) license for a testing period of half a year for free.

For inquiries please contact us via e-mail.

ExquisiteFonts label

dtl: new on social media

[Posted: Wednesday 27 June 2012]

To serve the roughly 5000 dtl customers in more than 50 countries all over the world even better, the Dutch Type Library has just entered the social media universe. Information on dtl can be found on facebook and Twitter, and also via an rss feed now. Obviously the icons on top of this column form the links.

The orange at sign on a dark royal blue, which makes the special dtl icon used on the social media, is part of the new branding labelled @ExquisiteFonts. This branding underlines even more the ultimate exclusivity of the dtl typefaces for either corporate design, book design, or web design. The domain ‘’ has been recently registered by the Dutch Type Library.

CD booklet with DTL Antares

Awarded cd booklets

[Posted: Monday 11 June 2012]

Since 1926 in the Netherlands every year a contest is organized under the name Best Verzorgde Boeken, which can be translated as ‘Best Prepared Books’. As one can read on the related web site, during the evaluation the emphasis is not by definition placed purely on the design: ‘Each well-made book is a meeting between content and material, the result of a cooperation between a commissioner (mostly a publisher), a designer and the graphic industry.

From a submission of usually more than 400 books a selection is made of 33 books at maximum. The formation varies per year, but basically the five-member jury is a mixture of publishers, designers, people from the graphic industry, and someone from more outside the field, like a book historian, or a museum curator.

From the 1990’s, every year one or more of the awarded books are typeset in a dtl typeface. The recently published selection for the year 2011 is no exception. A beautiful series of booklets accompanying cd’s, on which classical music is combined with storytelling, has been awarded. The design is by the Amsterdam-based studio bockting ontwerpers and different illustrators and authors worked on the (still ongoing) project. The applied typeface is dtl Antares.

Street signs with DTL Haarlemmer

dtl Haarlemmer street signs

[Posted: Monday 11 June 2012]

Since a couple of years new street signs are placed in the city of Haarlem for which dtl Haarlemmer is used. The design agency Bureau Arjan Karssen selected the seriffed version for the street signs in the historic city, and the accompanying sans serif is used on two different signs for the pre and post World War ii parts of the city.

The new designs are an attempt to halt the proliferation of street sign variants in Haarlem. Arjan Karssen worked on this project together with Bas van Vuurde, who is a former student of the Royal Academy of Art in The Hague. Both designers brought dtl Haarlemmer back to the city where the typeface originally was designed by Jan van Krimpen (1892–1958), who worked and lived in the city of Haarlem.

Moxon's units explained

Harmonics, Patterns, Dynamics

[Posted: Wednesday 28 March 2012]

There is a new blog providing information related to (dtl’s founder) Frank E. Blokland’s PhD research at Leiden University, of which the title is Harmonics, Patterns, and Dynamics in Formal Typographic Representations of the Latin Script | The regularization, standardization, systematization, and unitization of roman type since its Renaissance origin until the Romain du Roi. The blog contains fragments of this research, mostly presented as ‘notes on’.

The question on which Blokland’s research is meant to find an answer, is whether –and if so, to which extent– the harmonics, patterns, and dynamics of formal grapheme systems in use to represent the Latin script since the invention of movable type, are the result of standardizations and systematizations of the production process of Renaissance printing type (centuries before documented regularizations were applied on the Romain du Roi).

This research comprises some controversial aspects, because it questions for instance the mythical ‘eye’ of the type designer. The skills of type designers have been mystified since the early days of punch-cutting. For instance Pierre Simon Fournier emphasized the role of the ‘eye’ in his Manuel Typographique from 1764–1766, when he criticized the attempts of Jaugeon and his colleagues to standardize the design of the Romain du Roi: ‘These gentlemen would have been well advised to a single rule which they established, which is chiefly to be guided by the eye, the supreme judge […].
        But Blokland’s measurements of French Renaissance type from the inventory of the Museum Plantin-Moretus in Antwerp seem to provide ample proof for the hypothesis that the structures and patterns of roman type find their origin for a large part in standardizations of the production process of movable type during the early days of typography.

Blokland’s research also questions to which extent handwritten letters played a role in the development of roman type. Is it possible that the writing models currently in use to educate the basics of type design, which are often related to Edward Johnston's Foundational hand, and used to prove that roman type finds its origin in the patterns and structures of writing, actually show a standardization that was the result of the production process of the archetypes by Nicolas Jenson and Francesco Griffo? If this turns out to be the case, then the writing models are used for circular logic.

DTL KernMaster 2012

Announcing km 2012

[Posted: Wednesday 30 November 2011]

A new version of dtl KernMaster (km) for Mac os X, Windows, and Linux is in its final stage of development. The programmers at urw++ in Hamburg, Germany, are working hard to finish the production, and the release of KernMaster 2012 is scheduled for Spring next year.

The ‘old’ KernMaster was tailored for a dtl FontMaster based font production, hence it only supports be (Bézier) and ik (ikarus) files. The new km 2012 works directly with OpenType fonts also, and it is very much features-file oriented. The resulting kerning can be merged with the original OpenType font data directly.

The general idea behind km is that the kerning generation should be controlled via parametrization, and that the outcomes should be (almost) completely reproducible. Besides kerning also spacing can be generated with km 2012.

On the Typophile forum there was a discussion on the functionality of dtl KernMaster recently.

DTL FontMaster Light splash screen

‘Wine-wrapped’ version of fm

[Posted: Wednesday 30 November 2011]

A ‘Wine-wrapped’ version of dtl FontMaster (fm) Light 2.7.0 is now available for Mac os X as a free download.

Wine is an open source program which uses Win16- and Win32- api’s for running applications written for Windows under other operating systems. Currently there is only a Windows version of fm, but an installer has been generated for Intel Macs running Mac os 10.5, 10.6, and 10.7, which installs FM Light 2.7.0 for Windows directly in the Mac os Applications folder. Because the stuff is ‘Wine-wrapped’ one does not need to install any additional software, or to start up the X Windows System first.

Besides a few minor issues, which are described in the Read Me file, the wrapped version seems to run pretty stable and fast. The only downside of the wrapping is the hefty 330 mb, which is used by the application on the hard disk.

As a bonus, the included dtl TraceMaster version is fully functional.

DTL Argo at Keflavík International Airport

dtl @ 2011 Reykjavik: update

[Posted: Tuesday 4 October 2011]

Arriving at the Keflavík International Airport is for dtl people a bit like coming home, because the signage there is typeset in dtl Argo. Gerard Unger’s wonderful sans serif is in use at the Icelandic airport for roughly a decade now. It was interesting to see that the signage was intensively photographed also by other visitors of the ATypI conference in Reykjavik.

The talks by Dr. Jürgen Willrodt on the two new dtl/urw++ positional editors, which are currently under development, and on dtl OTMaster were well attended, as were the talks by Frank Steitiya (who replaced Peter Rosenfeld) on global fonts and by Frank E. Blokland on parametrized type design. Also Blokland’s talk in the main conference program on The mythical eye of the type designer was very successful.

On Thursday 15 September 2011 Fontlab Ltd.’s Adam Twardoch gave a talk titled OpenType Mastering, in which he described how dtl OTMaster can be incorporated in a Fontographer or FontLab Studio workflow. This was described as follows in the conference program guide:  ‘Fontographer is a bit like the guitar or piano of a type designer – it focuses on the creative aspects of making fonts. FontLab Studio offers creative tools and a fair bit of engineering gear. But dtl OTMaster is a true font engineering tool that allows you to control the final quality of your digital font files. In this talk, Adam will show how these three applications can play hand in hand.

A more detailed report on the Reykjavik conference will be published shortly on the main news page.

EcTd 2011 exhibition poster

pi Expert Class Exhibition

[Posted: Monday 29 August 2011]

From 10 September until 2 October 2011, Expert class Type design (EcTd) 2010–2011 students of the Plantin Institute for Typography will show their work at the famous Museum Plantin-Moretus in Antwerp. The title of the exhibition is De magie van het letterontwerpen | Van schets tot digitale letter (The magic of type design | From sketch to digital type).

The students’ work is presented and explained on large panels, printed by Agfa. Also original sheets showing different stages of the design processes are displayed in showcases.

The EcTd course takes place at the Museum Plantin-Moretus yearly. It spans ten teaching days spread over roughly eight months. In between the lessons the students have to work at home on their projects. The lecturer is dtl’s founder Frank E. Blokland.

As one can read at the website of the Plantin Society:‘The Expert class Type Design given by the Plantin Institute of Typography examines the “secrets” of contemporary representations of the Latin script (capital, roman and cursive) in detail. The underlying harmonic, proportional and rhythmic structures of characters and the typographical conventions and rules derived from them are analyzed and dissected.’

The exhibition is sponsored by (in alphabetical order) Agfa, Dutch Type Library, and the Museum Plantin-Moretus.

On Typophile some more information can be found here.

DTL OTMaster 2.4

New: dtl OTMaster 2.4

[Posted: Tuesday 28 June 2011]

A new version of otm has become available. The new functionality comprises improved export of OpenType layout features, a couple of enhancements in the otf Consistency Checker and the options to change the table version numbers in the ‘post’ and ‘gasp’ headers.

In otm 2.4 the interpretation of the OpenType layout tables has been much improved; checking and editing of exported features files is not required anymore. The exported files can be read-in directly without any alterations now. And although the way the exported features are listed could be different (due to the inevitable interpretation of the binary tables) from the features-description that was used for generating the font originally, the functionality should be completely identical.

The otf Consistency Checker in otm 2.4 contains a new, extensive, ‘Language’ section, which can be used to list and print the (missing) glyphs that a font supports for a specific language.

The ‘post’ table version can be changed now from version 2 to 3 and vice versa, and the ‘gasp’ table version from version 0 to 1 and vice versa.

There is an introduction discount of 30% on the standard price (€ 255) until the first of September in the FontTools Shop.

ATypI 2011 conference at Reykjavik

dtl @ 2011 Reykjavik

[Posted: Friday 17 June 2011]

The Dutch Type Library and German partner urw++ Design & Development will be present at the coming ATypI conference, which will take place in Reykjavik, Iceland, from 14 to 18 September 2011. The event is scheduled at the new Harpa Concert Hall, located by the old harbor (see photo).

The five days conference will start with two days of seminars and workshops arranged in two tracks. On Thursday 15 September the morning sessions are filled in with talks by urw++’s Peter Rosenfeld and Dr. Jürgen Willrodt, presenting talks on global fonts, OpenType and two new dtl/urw++ positioning editors, and a talk by Dutch Type Library’s founder Frank E. Blokland on parametrized type design. Additionally Finnish type designer Hanna Hakala will give a presentation on the designing of Cyrillic characters, and she will show her new typeface dtl Valiance.

On Friday 16 September Frank E. Blokland will open the main ATypI conference program with a heretic talk on the patterns and structures in type, and the relation between grapheme systems and perception, titled The mythical eye of the type designer.

ZDF kultur and DTL Nobel

zdf kultur Nobel

[Posted: Tuesday 9 May 2011]

On the 7th of May 2011 the German public broadcaster zdf launched the new digital channel zdf.kultur.

The corporate identity of this cultural channel, which is a relaunch of the zdftheaterkanal, was created by the Munich based design agency Luxlotusliner.

The typeface selected by Luxlotusliner for the zdf.kultur channel is an adaptation of dtl Nobel especially made by the Dutch Type Library according to the specifications of the Munich design agency: zdf kultur Nobel.

DTL in 50+ countries

dtl in 50+ countries

[Updated: Tuesday 19 April 2011]

The fonts of the Dutch Type Library are successfully applied all over the world. Since 1990 the Dutch Type Library has directly delivered the exclusive dtl fonts to numorous customers in more than fifty countries now:

Argentina, Australia, Austria, Bahrain, Belgium, Brazil, Canada, China, Colombia, Croatia, Czech Republic, Denmark, Estonia, Faro Islands, Finland, France, Germany, Great Britain, Greece, Guadeloupe, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea, Kuwait, Lebanon, Liechtenstein, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Russia, Saudi Arabia, Scotland, Singapore, South Africa, Spain, Sri Lanka, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United States, and Venezuela.

Doyald Young

Doyald Young, 1926–2011

[Posted: Monday 7 March 2011]

On the 28th of February the eminent lettering artist and (logo)type designer Doyald Young passed away at the age of 84. Young was renowned for his elaborate craftsmanship and his elegant and characteristic ‘dangerous’ curves.

In 2008 Doyald Young published the book Dangerous Curves, which he described as an attempt ‘to show both emerging and expert designers how, in an age of computer-dominated design, the designer can turn to their very own hands for both inspiration and solution’. This book was preceded by Logotypes & Letterforms (1993) and Fonts & Logos (1999). In this publications Young described his vision on lettering and type design, showing his own and other’s typefaces and the numerous successful logo’s he made for companies, packaging and events.

Besides a prolific designer, Doyald Young also was a lecturer for more than 30 years at the Art Center College of Design in Pasadena, California. He was awarded by the American Institute of Graphic Arts (aiga) with the Medal for Lifetime Achievement in 2009 and with the 2010 sota Typography award by the Society of Typographic Aficionados: ‘Recognized for demonstrating the power of a lifelong love of the craft of calligraphy, type and graphic design, for his contributions as an author and for his dedication as an educator’.

In 2010 a very nice tributing documentary was made by about Young’s life and work. The picture above is a (part of a) still from this film.

The people who had the privilege to have met and known him, will remember Doyald Young not only as a tremendously skilled craftsman, prolific designer, and a highly inspiring lecturer, but also as a very kind person, a real gentleman.

DTL and @font-face

@font-face is here!

[Posted: Thursday 2 December 2010]

Recently the typography of this site has been improved using @font-face bundles (ttf, eot, woff, svg) of dtl Argo stw (sans serif) and dtl Antares stw (serif) and doing so, we also removed some deprecated xhtml elements. The perfectly crafted dtl fonts appear as harmonically and rhythmically strong on screen as they do in print. Of course, the dtl fonts make typographic refinements on the web possible, such as the appliance of old style figures and small caps.

The recent editions of most modern browsers, including Safari, Firefox and Chrome, support the @font-face style property. Unfortunately Internet Explorer 8 doesn’t handle the applicable css3 code correctly (a comma-delimited list of fonts is not supported) and ie 8 only supports the eot format, so Windows users who want to see this web site in full glory should use Firefox, or will have to wait for the official release of Internet Explorer 9. Alternatively the latest platform preview of ie 9 could be installed. Internet Explorer 9 seems to support the @font-face rule properly and on top of that also supports the woff format.

If the new fonts don’t show up immediately in Safari or Chrome by the way, clearing the caches should help (its is a good thing to do this on a regular basis anyway, to ensure that the browsers are working at optimal speed).

The Dutch Type Library is convinced that webfonts especially will become an important part of corporate identities and that the nearing browser-wide support of the @font-face rule will generate a break-thru for webfonts. Of course, the currently partly limited support of the @font-face rule can be circumvented by applying for instance the Cufón format, which is also available from dtl.

More info on the dtl webfonts can be found here.

FontLab Ltd. & DTL OTMaster

FontLab Ltd. & dtl OTMaster

[Posted: Monday 18 October 2010]

Fontlab Ltd. announces the availability of dtl OTMaster 2.3 for Mac os X and Windows on, the leading online store for font-related software products.

Ted Harrison, President of Fontlab Ltd.: ‘We are thrilled to add dtl OTMaster to our product offering on This release marks the beginning of our collaboration with Dutch Type Library and urw++. Dutch Type Library is renowned for their excellent high-quality dtl typefaces, while urw++ has pioneered the field of font technology with the development of Ikarus, the world’s first digital outline font editor, in 1975, and has continued to develop high-quality fonts and font-related products ever since. On the other hand, Fontlab Ltd. is the home of FontLab Studio, Fontographer, TypeTool and TransType, which today rank amongst the most popular font-related products worldwide. We believe that our combined expertise will contribute to improving the overall quality of fonts and typography, and we are looking forward to further collaboration with dtl and urw++.

The Dutch Type Library and urw++ Design & Development are highly pleased that FontLab Ltd. added dtl OTMaster to its product offering and very much welcome this cooperation, which definitely will lead to further innovation in the world of fonts and font tools.

DTL LetterModeller 3.0.1

dtl LetterModeller 3.0.1

[Posted: Monday 20 September 2010]

A new version (3.0.1) of dtl LetterModeller is available for free downloading now. LeMo is a first step towards the automation of type design processes, based on the underlying models for grapheme systems. Sliders can be used for parameterizing the letterforms. Modified letters can be saved in the .be and .ik formats and further processed with dtl Bezier- and IkarusMaster (Light) or exported in the eps and svg formats.

From the moment on that the invention of movable type was introduced in Renaissance Italy and the subsequent fixation, formalization, sublimation and standardization of letterforms –which found their origin in the chirographic practice–, all formal letterforms developed for the purpose of text setting have always been derivatives in one way or another from the early fixated models, i.e., archetypes, by Nicolas Jenson and Francesco Griffo. Subsequently the ‘rules’ for the derivatives, i.e., the conventions, are set by the harmonics, patterns and dynamics of the archetypes. Deviations (in shape, contrast, contrast flow and contrast sort) from these rules can only be explained and described or even judged, using clear descriptions of the harmonics, patterns, etc.

Script related rules for harmony and rhythm are not universal, but culturally bound and defined matters. Subsequently matters like conventions and even legibility are directly related and restricted to the underlying models and can only be judged against the models themselves. Specialist software developed with this hypothesis in mind, can make the judging and mapping easier.

Part of the new functionality in LeMo 3.0.1. is the support for skeleton, i.e. heart line fonts. The construction of the Humanistic minuscule, of which the primary harmonic model (phm) for the minuscule part (‘lower case’) is a stripped version, i.e. the superfluous elements are removed, is the result of Mediaeval canalization/formalization by the broad nib (determined by friction and preferred contrast-flow) of repetitive movements, which date back to the time of the Romans. The capitals however, find their origin in the heart line construction applied by the Greeks, which were adapted for writing with a flat brush by the Romans without significant changes in their construction. Hence the basis of these capitals can’t be formed by a model comparable with the phm.

The Pen thickness parameter is supported now. Auto spacing based on the rhythmic system is automatically applied on the letters from the primary harmonic model.

Download Mac os version
Download Windows version

DTL LetterModeller's glyph editor
Frank E. Blokland at the Pieterskerk Leiden

Stained glass & lettering

[Posted: Friday 6 August 2010]

As part of the restoration of the Pieterskerk at Leyden, The Netherlands, the stained glass windows, which date back to the former restoration of the 1950’s are replaced by new ones. A relatively large number of these new windows get a stained glass lettering by dtl’s founder Frank E. Blokland.
        To sponsor the restoration one can buy the placement of ones name (or somebody else’s) in the windows. For this purpose Blokland designed a special version of dtl Haarlemmer, of which the letter-angle is adjusted to the lead lines which hold the small pieces of stained glass together.

On YouTube a short film (Dutch spoken) is placed, which shows the restoration of the church and the design and production of the lettering.

DTL FontMaster at Dublin

fm Track at Dublin

[Posted: Friday 6 August 2010]

The program for the fm Track at the ATypI conference at dublin (8–12 September 2010) is available here as pdf for downloading.
The focus in this years fm Track will be on the dtl font tools and workshops will be varied with presentations. New (versions of the) dtl applications will be presented, including a sneak preview of GPOSMaster and OTMaster version 2.1. At the end of the day there will be a reception to celebrate the 20th anniversary of the Dutch Type Library.

(Photo by Hans-Peter Bock [licensed under cc-by])


otm in afdko

[Posted: Wednesday 9 June 2010]

Information about and a link to dtl OTMaster, the internationally praised application for reviewing, editing and altering tables and contours of fonts with a sfnt file structure, will be part of the coming release of the Adobe Font Developers Kit for OpenType (afdko).
Both dtl FontMaster and dtl OTMaster contain a modified version of (the latest build of) the afdko, which make batch processing of OpenType Layout features possible.


dtl Prokyon & phones

[Posted: Wednesday 9 June 2010]

The New Zealand based phone company Two Degrees Mobile Limited (better known as 2degrees) has selected dtl Prokyon for their corporate identity. 2degrees is New Zealand’s newest mobile company, but, as can be read on the 2degreesweb site, the company has been active for some time: ‘we’ve been around a little while, and we’ve been busy. Over the last few years we’ve spent over usd 250 million constructing a brand new mobile network in New Zealand’.

OpenType Layout features in Adobe InDesign

dtl OpenType upgrades

[Posted: Tuesday 8 June 2010]

Since it became available a couple of years ago, the dtl OpenType Upgrade Program is a success. Over the past decade the Dutch Type Library has been working on the conversion of the dtl type library to the OpenType format and the development of specialized highly professional font tools, such as dtl FontMaster and dtl OTMaster for this purpose.
The focus has been especially on the production of Eastern and Central European, Turkish, Cyrillic and Greek character sets, to make all dtl fonts conform the wgl4 character range.

Royal BAM and DTL Argo

New bam download page

[Posted: Tuesday 8 June 2010]

dtl Argo has been the corporate identity typeface for the Royal bam Group since many years. Companies belonging to the group, subsidiaries and design agencies working for bam have access to a proprietary download page, from which –under strict conditions– selected weights and styles of dtl Argo can be downloaded in different font formats. Recently the download page was updated and moved to a different web address.

To have access to the dtl Argo downloads for bam, please contact the Dutch Type Library.

ATypI Dublin conference

dtl at ATypI conference

[Posted: Tuesday 11 May 2010]

From 8 to 12 September 2010 the yearly ATypI conference will take place in Dublin, Ireland under the title ‘The Word’. The main conference will be preceded by two days of (technical) workshops, seminars and meetings (‘Preface’).
        On wednesday 8 September the Dutch Type Library and urw++ Design & Development will organize a so called fmTrack, where the focus will be on the dtl font tools and in which workshops will be varied with presentations. New (versions of) the dtl font tools will be presented, including the premiere of GPOSMaster, OTMaster 2.1 and version 3.0 of LetterModeller. At the end of the day there will be a reception to celebrate the 20th anniversary of the Dutch Type Library.
        In previous years dtl organized fmTracks during the ATypI conferences in Lisbon (2006), Brighton (2007) and St. Petersburg (2008). Also like in previous years, the Dutch Type Library sponsors the event.


dtl typefaces for the web

[Posted: Monday 10 May 2010]

From this date on, all dtl typefaces can be acquired in four special font formats for the web, namely eot (Embedded OpenType), woff (Web Open Font Format), Cufón and sifr.
        Embedding of these formats on web pages is allowed by the dtl End User License Agreement, in contrast with the ‘standard’ font formats, such as OpenType and TrueType (see also the dtl eula).
        Licensing of the named font formats for the web is possible against fixed prices, irrespective the number of visitors on the web and for an unlimited period.
        For details, pricing and options, please contact the dtl sales department.
Shortly more information on this subject can be found on this web site.

Expert class Type design

Expert classes Type design

[Posted: Friday 7 May 2010]

From the end of September 2010 on at the Plantin Society in Antwerp, Expert classes on type design will be given by Frank E. Blokland, dtl founder and Senior Lecturer ‘Letters’ at the Royal Academy of Art (kabk), The Hague.
        Blokland will unravel the secrets behind the actual typographic representations of the Latin Script. The underlying harmonic, proportional and rhythmic structures of the capital, roman and italic letters and the forthcoming typographic conventions and rules will be analyzed and decomposed.
        The lessons are divided into two modules; for the first module no specific entry level is required, for attending the second module, the first one has to be successfully completed.

More info can be found at the PG website.

DTL FontMaster 3.0

Coming soon: fm 3.0

[Posted: Wednesday 5 May 2010]

A new version (3.0) of fm is on the brink of release. The main new functionality is the support of the latest build of the Adobe Font Developers Kit for OpenType (afdko) version 2.5.
        It is a well known fact that the at urw++ rewritten Hatch Open Type (hot) tool makes batch processing of OpenType Layout features generation fairly simple in the fm modules by enabling the use of features files that don’t have to cover the character sets of the OpenType fonts to generate.
        The programming has been done, but the manual has to be updated still. Those fm users who really can’t wait for the official release may contact the fm Team in the meantime.