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Argo
Compared to dtl Argo, many sans serifs look monotonous. To understand the quintessence of Gerard Unger’s typeface, the sans-serif principle must first be explained.
Elementary for a sans serif is the small difference between thick and thin, i.e., a small contrast. An average serif font, on the other hand, has a high contrast. This large difference between thick and thin in serif type is believed to increase legibility. The contrast is represented in the serifs. Serifs have the pleasant side effect of reinforcing lines; they more or less form rails. The high contrast and related serifs make serifed type a good choice for longer texts.
Digitization of the lower case a of dtl Argo Regular in ikarus format
As the contrast in a letter is lowered, the serifs must be adjusted accordingly. In the case of extremely low contrast, the need for serifs becomes small, as they get (more or less) the thickness of the stems. A letter with such serifs is called a slab serif or Egyptian. When these serifs are removed, a sans-serif is the result.
Overview of dtl Argo Black in ikarus format
Letters with the lowest possible contrast still show a difference between thick and thin. This contrast is necessary to make letters optically the same thickness, which is different from measurably the same thickness.
Stamps, designed in 1999 by Piet Gerards and lettered with dtl Argo
Unger has designed a sans-serif with dtl Argo, the contrast of which is considerably higher than that of, for example, Gill Sans, Helvetica, or Frutiger. This explains why Unger’s design is less monotonous than its predecessors.
One of the first lighthouse customers for dtl Argo was the New York Stock Exchange
By definition, dtl Argo belongs to the category of sans serifs, but when viewed closely, it falls between serifed type and sans serifs. dtl Argo can be classified in a group that, for example, also includes Hermann Zapf’s Optima. Letters belonging to this group of type are suitable for display purposes as well as body text.
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Last update: 26 July 2023. Copyright © Dutch Type Library, 1998–2023. All rights reserved
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